Toy Savoy describe themselves as “noisy kind of pop music from the middle of cold, cold Norway”. This track is noisy in the way the best Britpop was noisy, as in, it’s not remotely noisy…but it’s as melodic, and infectious as any single that emerged from the scene in 1995 . Extra points are awarded for their mention of “beans and rice”.
Colenso Parade were a post-punk band from Ireland, who only ever released 1 album,”Glentoran” (1986). And from that they culled one of the most glorious, and not as famous as it should’ve been, singles of the 80’s, “Fontana Eyes”.
The song is built around references to “Pan & Fontana”, a still beloved, paperback horror anthology book series, that was extremely popular in the UK, in the early sixties, and has apparently become a real cult thing over the years.
And so, this song. Lush piano, stuttering drums, sinewy vocalizing : it’s just one big, fat, epic beauty.
And in case you were curious about the line,”God put my eyes in with smoky fingers”, that is repeated throughout the song, and what it means, well, I remember reading an interview a million years ago, where the singer was saying, that the line refers to that classic horror creature/ghost/ zombie look, of having big, black circles around the eyes, you know, like the kind you’d read about in those books. “Smoky fingers”. Perfect.
There are several peculiarly awesome things that came to mind upon hearing this for the first time. The Beach Boys classic “Sail on Sailor”. A seasick Roxy Music sax solo circa 1974…and okay, anyone remember Dubstar, UK band from the nineties ? Anyone ? Okay, never mind, we’ll get back to them. All that stuff, plus a soaring Annie Lennox-esque vocal ( really, she rules btw), adds up to this, which is pretty freakin’ great. And hey, here’s a bonus track from the cool, and underrated Dubstar, from 1995, just because…
This is completely beautiful, seems to be made solely of air, and ocean, has a truly swoon-inducing ending, and should be playing over the credits of something, somewhere in this world right now.
Listen with rapture as Kweku Collins slyly reinvents the Yeah Yeahs Yeah’s classic, as a spaced out tearjerker, standing under a lonely streetlight. Real beauty. And hey, check out his recently released “Grey” album, which is full of moody, and personal things, and also mighty fine.
This song is a little nuts, extremely wonderful, and the embodiment of what I imagine tripping on acid, whilst running through a poppy field in 1971, might actually sound like. I was going to mention stuff about “The Wicker Man” too, but we’ll leave that one alone for now.