First things first, the vocal on this is ridiculous, evoking all at once a widescreen Sandy Denny, a larger lunged Beth Orton, and a pining choir boy. The song itself has that same epic weight, feeling and filmic quality that runs rampantly, and romantically through the entirety of Kate Bush’s magnificent “Aerial” lp from 2005, and can’t give it higher praise than that. What a beauty.