Month: May 2021

Weekly New Wonders Playlist #21 of 2021!

Back in the ’80s, the Museum Of Modern Art curated a show of what they felt were the most innovative and exciting music videos available up to that point. It was called “Music Video: The Industry and Its Fringes”, a title which while it did not scream FUN, intrigued me. I was a young, obsessed MTV watcher at the time which meant I just had to see it. I went in knowing that they probably wouldn’t be featuring my beloved Duran Duran or Culture Club, this was an art museum after all, but hoped there would be a song or a someone I’d never seen that I could potentially fall in love with ( hopefully British with a big, fat synthesizer and frosted tips). That didn’t happen. I was instead confronted with this disturbing, well, something. Amongst the slate of videos was one for a song called “Frankie Teardrop” by the NYC duo Suicide ( neither of which I’d heard of at the time). I found both the song and video supremely unsettling.

“Frankie Teardrop” was not a pop song. It was a sinister, repetitive electronic drone with a creepily fey vocal about a guy who’d finally reached his breaking point and committed an unspeakable act. It was 10 minutes of blood curdling screams and menace and a very long way from my favored musical candies like Men At Work and Madonna. The video, which you can check out above, with its blurry images of child mannequins, James Dean, crabs, rats, desolate streets and anonymous faces went a long way to maximizing the terror of the song.

It rattled me. It gave me the chills and blotted out all of the videos that came before or after it. No new pop babes for me. All I could think about after watching the 30+ clips on offer was “Frankie Teardrop”. It lingered and haunted. Frankie, Frankie, Frankie.

Something about “Frankie Teardrop” turned my head around. Even though I wasn’t sure I’d ever want to play it, I bought the Suicide album it came from. For some reason I had to have it. And a week later I decided I had to see the video again and so returned to MOMA for that sole reason. 

The world’s most popular Suicide fan boy, Bruce Springsteen, once said about “Frankie”; “Oh, my God! That’s one of the most amazing records I think I ever heard. I love that record”. Bruce loves Frankie.

Anyway, I was talking about “Frankie” to a friend last night and the weird sensation of revering a song, being fascinated by its every molecule but not really wanting to hear it (or see it) often, if at all. All these years later I still vividly recall the shock and surprise of it, how it shook my pop music perceptions around, discovering that a song could actually scare you, make you feel so weird. It was unnerving…and totally amazing.

Right, enough stream of consciousness craziness 😉 I now invite you to check out the latest WEEKLY NEW WONDERS PLAYLIST featuring the best new songs we’ve heard over the recent cold and rainy days. It was a very POP week, full of hooks and swoon-worthy sugary tunes. All great and all surely occupying the #1 spot on the chart over on earth 2. You can listen below on Soundcloud or Spotify. We’re all Frankies.

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Weekly New Wonders Playlist #20 of 2021!

I don’t have any weird anecdotes to offer today, just gonna offer you the latest WEEKLY NEW WONDERS PLAYLIST featuring the best new songs that have crossed our path over the past week. It is big and it is especially, gloriously melodic. You can listen below on Soundcloud or Spotify !

For anyone interested, there’s a bunch of stuff on the way here at PuR (!) including a terrifying, topical mega-artist album breakdown ( oh it’s a big one ), new essays on under-appreciated albums and artists in our ongoing and questionable “That’s Their Pet Sounds” series, as well as some deep dives into particular years in pop music history that will be full of nonsense, hot takes and cringe-worthy coming of age musical related memories ( uh oh ).

And so please stay tuned ( and subscribed ) for all the self-indulgent craziness coming soon ;)!

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Weekly New Wonders Playlist # 19 of 2021 !

Don’t be scared. That’s just Sadie the small stuffed bird who hangs over my desk. My Mom gave her to me a few years ago after finding her at a yard sale. I have no idea why she is dressed like a spoiled Victorian child. And while she’s not as menacing as one of those terrifying antique dolls whose eyes follow you around the room, I can confirm she does give off a pretty impressive cute-creepy-demonic children’s choir vibe in person.

But hey, it’s time for the latest WEEKLY NEW WONDERS PLAYLIST featuring the most heart-squeezingly handsome songs we’ve heard over the past week. They are all 🔥 and tied for the #1 spot on the chart over on Earth 2. You can listen on Soundcloud or Spotify below.

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The Version Hoarder

Is it possible to love a song too much ? Hmmm, let’s find out…

Back in 2013 a 60 track, 4 cd deluxe edition of Van Morrison’s 1970 album “Moondance” was released. It was fat with alternate mixes and multiple takes of the original LP’s 10 tracks. And in true nesting doll style, it was home to 10 separate versions of the song “Caravan”. There were takes one through 8. Re-do’s of those takes. A remix. The original LP version. Over 16% of the tracks on the deluxe were versions of freaking “Caravan”.

You want some Caravan? Oh I’ll give you some freaking Caravan….

Once the moon-sized “Moondance” was officially out I asked the biggest Van fan I knew what he thought about it. “There can never be too many versions of Caravan” he gushed. I said something like “oh yes there can” and followed it with a smug “why would you want so many versions of the same song by the same artist with what seems to be minimal variation”? Okay, I didn’t say it that eloquently, it was more like a “why the hell do you need that many versions, what’s the point”??? To be honest, my incredulity was more about Van himself whom I didn’t really like…yet for some reason, I went all in and instead attacked the premise…because I am a hypocrite.

Yup, I might as well have been looking in a mirror when I asked him “why”…because I myself, the accuser, was a total, complete and utter Version Hoarder. Long-term and hardcore, with dozens of carefully curated playlists devoted to singular songs in my music library. And those lists made the mega “Moondance” serving of “Caravan” seem downright cute.

My one-song-themed playlists were crowded places where it was hard to breathe. Beyond whatever original version of the song inspired their creation, they were crammed with demos, remasters, and staggeringly excessive amounts of live stuff. Then there was the devil YouTube with its countless bedroom renditions and isolated vocal takes. Yes, I needed those too. Somewhere along the way, I’d gone from liking a nice song to obsessively stalking it.

And here I was berating my innocent friend for my own demented and obsessive behavior.

You might be a Version Hoarder if…

Say you really love a particular song. Like really, really sloppy love it. Meaning you want to know everything about it. Where it came from and everyone it’s ever been with. You just can’t get enough. And so you set about consuming it in all its iterations, gathering outtakes, unreleased and live versions, remasters, and remixes of the song like some compulsive squirrel gathering nuts for several winters at once. All the while you never stop believing that there exists in the world some elusive, unfathomably beautiful unicorn version of the song that you have yet to find. And so you never stop looking. If this sounds like you, then you might be a Version Hoarder

Version Hoarding is kind of like the “shy” person’s version of a being Show Hoarder, you know, like those folks who collect and archive all the Grateful Dead, Dylan, Phish, or Neil Young concerts? While they are both examples of obsessive loved-up consumption, the former is a more insular ”Dear Diary” kind of collecting and not so much a sharing and communing with others type of thing. Version Hoarding has more of a sad girl/sad boy flavor. It’s a secret between you and the song. It’s personal.

The photo at the top features just a smidge of my collection of Fleetwood Mac’s “Sara” which contains versions by the band, Stevie Nicks herself, and assorted strangers. I have been obsessed with this song for roughly ten trillion years. I love Stevie’s opening “Wait a minute baby”. I love Christine McVie’s melodically perfect piano lines. I love Mick Fleetwood’s brushes. I love how epically long it is for a pop song (6 minutes and counting). I love the weird subtext that inspired it namely Stevie and Mick’s affair, he being the “great dark wing” in the song, and that she still threw in a nod to her previous entanglement with Don Henley (“If you build your house I’ll come by”) and the child they never had (the titular Sara).

The song is oh so Stevie, a little out there but crazy beautiful. Thankfully since both Mac and Stevie have maintained very active touring schedules this century I’ve been able to enjoy a fairly continuous supply of fresh “Sara”. I love the original. I love the demo. I even love the random 2013 live version from the Mac show at the Sprint Center in Kansas City that April with its big fat Fleetwood drums.

I am a Version Hoarder. Maybe you are too. But we’re okay. We’re just drowning in the sea of love. And like Stevie says in the song that’s where everyone would love to drown. Never change, never stop.

Weekly New Wonders Playlist # 18 of 2021 !

Yes it’s Mom’s day but did you know that Saturday, May 8 was Motörhead day ? It is the official day for fans to unite online ( and maybe in-person) in assorted places to share memories and wave their devil horns as one in honor of the legendary rock behemoths. The reason it takes place on the 8th of May is because of the date’s phonic relation to the band’s classic song/album “Ace Of Spades”.

The 8th of May. Yeah, you get it 🙂

I met Lemmy back in 2008 and he greeted me with a “Hello Luv” that I still cherish to this day. The sounds of Motörhead helped get me through one of the most frustrating and stressful years of my entire adult working life. During that time span there occurred one particularly spectacular day when I’d so had it with the bureaucratic goings on at my job, I listened to 8 straight, non-stop hours of Motörhead. Just one song after another, turned up to 11, alone in my tiny office. “Iron Fist” 👊, “Overkill” ☠️, “Love Me Like A Reptile” 🐍. I left work that day feeling like I could kick the world i.e.head office, in their collective ass. Meet my iron fist bitches 😈 (well, sort of). And so Happy Motörhead Day everyone, turn it up🤘 (and maybe pour one out for the guys that are no longer here; Lemmy, Fast Eddie, Philthy Phil and Würzel🌹).

And now it’s time for the latest WEEKLY NEW WONDERS PLAYLIST featuring the finest and foxiest new songs that have crossed our path over recent days. They are all # 1. Check ’em out on either Soundcloud or Spotify below.

Double up or quit, double stake or split, the Ace of Spades…

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Weekly New Wonders Playlist # 17 of 2021 !

That’s just another ten trillion year old drawing from my teenage sketchbook.Yo-Yo ma(n). I don’t have any weirdness to offer this week apart from him. But hey, it’s that time again, time to gather all the most transcendently wonderful tunes that have surfaced over the past week (or so) and bring them together as one. And with that here is the latest WEEKLY NEW WONDERS PLAYLIST, you can listen on Soundcloud or Spotify below.

One last thing: I’ve started writing short love letters to trashy pop music over at Medium. When I post new stories over there I will make sure to attach a link at the end of each weeks WEEKLY NW’s. I promise you short reads and complete ridiculousness. You can check out my first and latest piece of work right HERE. Hopefully you will still trust my judgement after you read it.

Here are the Wonders!

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