PuR First Quarter Favorites⚡️!

Screenshot 2020-04-05 21.22.47

That bird up there is a Great Argus & it is by far the BEST bird I’ve seen in person in 2020 ( they have one at the Bronx Zoo) but I digress…..PuR is a very small & somewhat silly blog, so small it wouldn’t even qualify as a pin prick on the pinkie finger of Pitchfork…but I still get genuine joy from sharing new music & writing ridiculously self-indulgent essays about old “uncool” music  that require the patience of a saint to actually read all the way through. In other words, I love doing this.

In light of what is happening right now, in all the misery & uncertainty, it seems even more important than ever to say thank you & show some love even in the tiniest ways. With that in mind I wanted to shine a light on some of the most brilliantly wonderful songs & artists that have surfaced over the first quarter of 2020. I hadn’t planned on doing this, didn’t occur to me until last week but this stuff is medicine & I’m grateful it all exists right now. Hopefully you’ll discover ( or rediscover) something here that’ll warm your heart for a minute. Rock on y’all⚡️

🔥PuR First Quarter Favorites🔥

SONGS (in no particular order):

Talker: Personal Space

Talker aka Celeste Tauchar released an excellent EP titled Wax this year & “Personal Space” is an unadulterated highlight. A melodic marriage of vintage grunge, Julien Baker style crescendos & Avril Lavigne’s forever banger “I’m With You”, it’s a real stunner.

 

Clea: Soft Blow to the Head

If “Soft Blow to the Head” had been born in 1994, it would’ve been played in an endless loop on both MTV & the radio & would likely have found it’s way into a good old Gen X film soundtrack. It’s a sweet jangle with a defiant core & a bit of Belly, smidge of Sundays & ounce of Cardigans embedded in it’s memorable melody.

 

Laveda: L

“L” sounds like a tranquilized, dreampop version of the Smashing Pumpkins “1979”, it’s hazy, hooky & just so languorously lovely.

 

HEBE: Out Of Sight

Bit of a vintage Zero 7 vibe to this sweet pop groove that explodes into something special when it hits the bridge; things get quiet, HEBE’s lustrous voice hovers over a spare backdrop & then it’s boom, boom, boom hands in the air for a semi-manic all too brief coda.

 

The Satellite Station: Phantom

A theme song for driving in circles in an empty parking lot at 2 in the morning feeling alone, alone, alone, the type of thing there can never be enough of, especially if they’re as fine this.

 

Eliza Shaddad: Pure Shores

It seems wrong to exult this cover of All Saints 2001 megahit “Pure Shores” as the finest Eliza Shaddad has to offer since her original stuff is so freakin’ good…but gotta love how she toughened it up, turning the electronic pop anthem into a vintage 90s alt rocker with a sweet Liz Phair/ Juliana Hatfield vibe; it’s just sublime.

 

Snowgoose: The Making of You

Sandy Denny, the late legendary vocalist of Fairport Convention & Fotheringay as well as incredible solo artist in her own right, could make traditional centuries old folk songs sound like pop songs & pop songs sound like traditional centuries old folk songs. Glasgow’s Snowgoose make music that is cut from that same glorious cloth. “The Making of You” is regal, rustic & handsome & hearing a band doing songs in this vein, this well in the pop-infested universe of 2020 is revelatory.

 

Charli Adams: Cloverland Drive

Adams is a truly gifted country singer and songwriter & this evocative reminiscence brings to mind peak Trisha Yearwood namely 1993’s “The Song Remembers When” & it don’t get much better than that.

 

ALBUMS:

Ellis: Born Again 

One of the more striking characteristics of Ellis’s debut album is how nearly every track starts off quietly standing in the corner then invariably erupts into either a wall of stirring shoegaze or a melodic twanging tearjerker…which is a very roundabout way of saying there isn’t a single weak track on it and it’s a total treasure.

 

Steve Reidell: Duke (40th Anniversary)

Steve Reidell of Air Credits, The Hood Internet & Black Moth Super Rainbow covers nearly every track from Genesis’s pop-prog masterpiece from 1980, Duke with complete, unabashed love. The fact that it even exists is wondrous enough but that it has the audacity to be as good too, well, that’s just a beautiful bonus.

And for the millionth time, Phil Collins Genesis > Peter Gabriel Genesis

 

And lastly, my favorite video:

HULA are a super duo featuring Bktherula & Hook & this is an unbelievably simple video, created by the digggers that so perfectly suits & celebrates the song ( & HULA themselves), it’s impossible to separate the 2. Whoever chose the mall setting is clearly some kind of super genius 🙂

 

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