Here’s something weird: this is the second review in a week where there’ll be a reference to a Motels song. Utterly coincidental I swear but yes, also weird. “Button Up” is a world weary pocket anthem where the daily grind of existence wrestles with life long dreams in a slow death match. The whole thing feels like it’s teetering on the precipice, full of tension and the feeling that things are about to tip over the edge at any second…which kinda brought to mind the aforementioned Motels old 1979 cult classic “Total Control”, another song living on that same knife edge. Point is it’s beautiful to the core. Cape Francis is Kevin Olken Henthorn and the album from which this is drawn, “Deep Water” is out in March and if it’s anything like his ridiculously fine full length from 2017 “Falling Into Pieces”, well, then we’re about to be blessed. Know what, have a listen to that below just because…beautiful.
BIB KIDS walked into Ed Zed’s domain & he’ll never be the same, please allow him to explain…
Anxiety is a feeling with which I’m intimately familiar. This is not necessarily a negative thing, as I honestly doubt I’d be able to function without it. Sometimes though, I’m whipped into a veritable lather of irrational anxiety when I consider that a certain beloved band out there amidst the teeming masses might never have crossed my path at all. (Like the state of being dead, I suppose one could argue that you wouldn’t know what you were missing, but that’s beside the point.)
Last night, on a chance recommendation I heard Auckland’s phenomenal BIB KIDS for the first time, and by god, that anxiety went into overdrive.
The duo’s new single ‘100 degrees’ is a deliciously menacing shock of avant-pop that bristles with energy, compelling the humble listener to rise to its feet in an immediate hangman’s dance.
A trance-y synth swirls in a foreboding vortex around an electronic beat that sounds pleasingly like it’s being played by an actual human as opposed to having merely been programmed by one.
This sets the scene for Tash van Schaardenburg’s magnificently insouciant vocal, slowly ratcheting up the track’s muggy tension with lines like ‘suns down, moons up / forecast says its rain / I feel the weather shifting / I feel my mind gone drifting / let’s talk about locality and this eventuality / when we go home just you and me / we’ll change the seasons in my sheets’.
This is strange, serrated pop at its very best. Stop what you’re doing, buy it now on Bandcamp, and look out for a BIB KIDS EP ‘Gimp Software’, released in March.
Do not miss it. End transmission.
For the entirety of the 80’s, Madonna made pristinely wonderful pop records, and in some cases absolutely perfect ones ( “Into the Groove”, “Angel”). “Goner”, the latest offering from Katie Iannitello’s latest project Beauty Queen is as if the bridge in “True Blue” became a whole song. It’s a lo-fi, straight up crying in the bathroom pop song that no matter where you ultimately hear it sounds like it’s emanating from an old car radio. There are distant traces of The Motels 1982 drama pop hit “Take the L” lurking inside of it as well and it’s a totally angelic thing.
This here is the first installment of Weekly New Wonders for 2019, the best new music we’ve heard over the past week. No long winded explanation to offer other than all of these have been on repeat and are extremely fine in a myriad of ways. Hope you find something to love, love, love. You can listen on Spotify or Soundcloud but please note the playlists are slightly different as not all songs are available on both services.
Hear it on Soundcloud:
Hear it on Spotify: