No matter who we are in this absurd, brief, and messy life we can all lay claim to a peak, a shining moment where we were the best we could be, where all the stars aligned and we fuckin’ delivered the goods.
Welcome to “That’s Their Pet Sounds” our semi-regular feature where we endeavor to spotlight and celebrate a heretofore maybe uncool, often unjustifiably underrated, sometimes polarizing, not as acclaimed as they should be, or “what the hell?” artist’s grandest artistic achievement i.e. their greatest album.
*“That’s Their Pet Sounds” is named after the Beach Boys landmark 1966 LP which is universally regarded as one of the greatest albums ever made but yeah, you probably knew that.
Rick Springfield’s BEST ALBUM : 1981’s “Working Class Dog”
Why it’s his Pet Sounds :
“I just made a seminal power pop album girl”
- Rick wrote 9 of the 10 tracks. There’s lots of talk about appeasing Daddy (hers and Rick himself) and “little girls” that are alternately dirty or scared “like you”.
- The one track he didn’t write,“I’ve Done Everything For You”, is …well okay it’s a Sammy f-ing Hagar song from 1978…but in the same manner in which Aretha Franklin stole Otis Redding’s “Respect” and made it her own forever, Rick took complete possession of this song. As in his version completely crushes the original. (Disclaimer: I am in no way inferring that Sammy is like Otis, I am just referencing the circumstance. Otis is a God, while Sammy remains and will always be a man.)
- This album is romantic in the same way hanging out in a suburban 7-11 parking lot late, late at night ( cheap pun alert) and cruising the main strip of road in town hoping by chance to see your unrequited love is romantic. It feels eternally young and single-minded and all emotions expressed within it are as urgent as a fire alarm. It runs all the lights and is very, very horny.
- The first 8 tracks are hook laden pocket anthems and each one to the last features an impossibly infectious chorus. Though the competition is fierce, gonna say the one in “Love Is Alright Tonite” rules the hardest. As a side note, “Love…” soundtracks the most manic and crazy scene in cult classic “Wet Hot American Summer” and is hard to detach from that once you’ve seen it but they really do take it to yet another level of greatness.
- For years I thought Rick was singing “You can keep your cheddar” in “Daddy’s Pearl”. I reasoned “cheddar” was some kind of slang way to say cheap opinions/gossip which made sense in the context of the song. It sounded kind of clever and weird. Plus he rhymed it with “better”. Years later found out what he is saying is actually “chatter”and was disappointed. Listen for yourself and decide but I think “cheddar” is the way to go.
- “Inside Silvia” is a lust ballad. It is 100 % literal. When Rick sings “there’s one harbor where I’m safe and warm”, the “harbor” to which he is referring is Silvia herself. All the metaphors are literal on this album. I swear that is not a contradiction.
- There is also a straight up Lynyrd Skynyrd guitar solo that wandered in off the street and somehow got lost in “Red Hot and Blue Love”. It is phenomenally disconcerting but it works in what is the most “experimental” song on the album.
- There’s really nothing left to be said in regards to “Jessie’s Girl” at this point. It’s a classic pop song, full stop, some people love it, some people are sick of it…but it lives and will continue to do so long after we are gone.
37 years have passed since “Working Class Dog” was released. And Rick is still out there touring and recording like a truly driven man. This thing sold 3 million copies and had 3 top ten singles and will probably never be included on any of those “Greatest Albums of All-Time” lists…but who cares what the critics say. It’s an absolute diamond, it’s his Pet Sounds.
*One more thing ! While there have been an extraordinarily large number of crap rock memoirs thrust into the world over the years, Rick’s own “Late, Late at Night” from 2010 is not one of them. The story does not resolve itself in the last 50 pages with descriptions of joyfully taking kids to school, cooking vegan feasts or daily one on one martial arts training sessions with an esteemed master guru like the kind that regularly surface in todays rock memoirs. Rick’s story is ongoing, unresolved and human. The book is one of the most compelling, dark, sexually charged, honest and self deprecating music autobiographies you’re ever gonna read and so highly encourage you to do so.
Hear it here: