Holy sheez, the guitar on this is sticky, and lethal, and pretty impossible to evict from your head once it’s introduced itself. The whole song sits close to both Sleater-Kinney, and the year of 1994, and will spit in your eye and walk away, and you’ll like it.
While it’s a pretty common thing in hip hop for artists to reference themselves by name in songs, it’s not that often you hear it in a rock song…okay, you know where this is going. Vivienne Chi’s new song is called, yup, “Vivienne”, and it’s a little rollercoaster. It’s all about those inner voices telling you what to do, guiding you or misguiding you, and goes from quiet to loud and back again, whilst flirting openly with Kate Bush…and there’s something indescribably special about it.
Now don’t be scared but this is a power ballad, possessing the requisite booming vocal, and gigantic tune…but it’s topic is bigger than the standard “I miss you”, or “I’m leaving this town”, you get in those kinds of things 99% of the time. It’s touching upon knowing someone in this life, and feeling like you’ve already experienced the same situations with them in another time, place, or astral plane. And feeling that what’s happening now isn’t a singular stand alone experience. And then wondering what the future holds with all that, and if there’s an ultimate resolution to the connection. Yes, pretty heavy…but know what, at the end of the day, this is one big fat tune, and singer Devin Davis tears it up vocally, and it just kicks ass, so go on and hold it to your heart.
Twin Weaver are a 4 piece band out of Capetown, South Africa, and this song is many, many, many things. It’s post punk. It’s twee. It’s krautrock. It’s the Breeders. All of this at the same time, and all the more wonderful for it.
This is not a song, it’s a living, breathing, sneering, sarcastic babe wandering confusedly yet confidently through the night. It’s punk ( Slits), it’s pop ( Lily Allen kinda), and just bitchin’.
Ooh, this is no joke, it’s just a beauteous, earnest, and 90’s all over R & B ballad, with a couple of watery, shaky vocal moments, that’ll completely stick to your heart. The vocal brings to mind the sensuous crooning of diva Chante Moore, while the song itself is reminiscent of Marsha ( Floetry) Ambrosius’s finest stuff. And so tonight we’re gonna cry like it’s 1993.
Yes, this duckling is being used as a shameless device to get your attention so you’ll maybe read this post…anyway, here are some wonderful things, gathered neatly in playlists, all together in one place, that we’ve featured, or just discovered, to bend an ear to. This is going to be a regular thing, and we promise to compile it every month on both Spotify, and Soundcloud, just because, well, we want you to hear, and are trying to make it really easy ( and not every track is in both places dammit) ! Hope you dig…
Listen here ! :
Or here ! :
Okay. This is mindless, in the best possible way. This is 1998 to the core. This is the sound of Blink 182 holding hands with Sugar in form, and function. This has one of those chorus’s that just won’t, go, away. This is to play whenever you feel like bouncing off the walls, and it is ridiculously swell.
One thing is clear from the outset with this one: the guitar is driving the car. The melody is slippery, and evasive, perpetually changing direction, running into walls, and backing out again. The overall sound is not a million miles away from 90’s gazers, Curve, and it’s a truly memorable thing.
This is the debut single from OTG, producer, and DJ for the incredible in her own right, Little Simz, who herself provides the vocal here. This beats with a mournful, and world weary pulse: it’s just lonely. And all of those qualities are accentuated by lyrical turns like “I’ve seen more than you know, I’m the bible”. Little Simz’s high notes are as delicate, and fragile as glass, and it’s all too beautiful. This will feature on OTG’s soon to be released EP, “Garden of Osiris”.